STANDING IN THE STORM, The Many Worlds of William Alan Webb

We Sleep At Night Because America's Armed Forces, Police and Fire Fighters Never Do

Category: Bill’s Fiction (Page 1 of 3)

On winning the 2018 Darrell Award for Best Novella

Dr. Darrell C. Richardson founded the Memphis Science Fiction Association, was a member of First Fandom, served as Director of the National Fantasy Fan Federation, helped create MidSouthCon, was an ordained Baptist minister and, in his spare time, wrote 44 books about great men of fantasy and genre fiction such as Max Brand, Edgar Rice Burroughs and J. Allen St. John.

For more about Dr. Richardson check out this link:

http://www.erbzine.com/darrell/

I had the pleasure of meeting him on several occasions and still own a number of his books, all signed by the great man himself. In 1996 a group of fans founded the Darrell Awards in his honor, to promote literacy in the Mid-South.

On Saturday night, March 10, 2018, at about 6:38 PM, this incredibly prestigious award was given to me for my novella, A Night At The Quay, which appears in the full length book Sharp Steel or as a standalone. In the audience at the time were such SFF superstars as Mike Resnick, Steve Miller and Sharon Lee. Holy humbling, Batman!

Buy Sharp Steel

I see awards as matters of trust between the recipient and the judges. I am eternally grateful to those who selected Quay and will try not to let them down with my future work.

The earliest version of this story dates to 1979. It was read by many of my college professors back in the day and all but one hated it. Of course, they hated anything genre related. I wasn’t luck enough to get Dal Coger or Jack Beifuss as a teacher.

Anyway, I tinkered with the story and drew some illustrations for it up until the late 90’s, when I finally digitized it, copied it to a floppy disc and forgot about it. Then, in early 2017, I found the floppy.

My writing style had changed radically in the intervening decades, as had my ability to judge my own work. Plus, I’d forgotten most of the story. So I rewrote it and sent it to my awesome publisher, J. Gunnar Grey of Dingbat Publishing. She loved it as much as I did.

What I’ve always loved about this story is the interplay between the two heroes, Alden and Dexter, the evil wizard who really isn’t so evil, greedy hucksters, assassins, the misty seaport setting and a werebear who isn’t doesn’t change shape. Instead of the usual tropes I played with them and twisted them but still held true to the influences of my heroes, Robert E. Howard and Fritz Leiber.

Karf and Lef – Illustration by William Alan Webb

Sometimes a writer can’t believe they wrote something, and that’s how it is with this story and I. I’ve always said that writing makes me better than I really am, and this award proves it!

Cover for the novella version. Principal artwork by Shannon Ortberg, finishing artwork by William Alan Webb. Layout and typography by J. Gunnar Grey.

 

Why I’m a Pantser, or Where did this new story come from?

I’m a Pantser. I sit down to write without a whole lot of pre-planning about what I’m going to write. For example, when I woke up this morning, writing a blog entry wasn’t on my to-do list for the day. Other writers outline everything they do, and I confess I’ve tried doing that, but so far I can’t do it. Outlines just don’t make sense to me when I try to plan out my stories.

When people ask what advice I would give a new or unpublished writer, or someone who has writer’s block (which I don’t believe in, by the way), my advice is always the same: don’t edit as you go. Write and don’t read what you’ve written until you’re finished, and whatever you do, don’t try to edit what you just wrote. This goes along with my Pantser style…Write ’em all, let God sort ’em out.

It took me thirty long years of struggle to reach the point where I could do that, but when I finally did I started writing at a pace that surprises even me. Now I just write stuff when I think of it and my production has gone way up.

But I’m a lucky guy and I know it.

Like so many writers I have more ideas swimming around in my brain than I could ever possibly write into a cohesive format. Unlike most writers I know, I actually have the time to piddle around with some of the stranger ones. And the great thing about being a Pantser is that I can do it without forethought.

I’m now 10k words into a bizarre story that I neither planned or even dreamed of ahead of time. It wasn’t even one of my secret projects because I literally had no inkling about it before I started typing. One night a few weeks ago I started writing and poof! there it was. I think it’s pretty good, too, but who knows?

How long will it be, what genre is it, all that good stuff comes later. Right now I have no idea. And that’s because I’m a Pantser. My path leads into the wild unknown, and I wouldn’t have it any other way.

 

 

One Writer’s Life

Late Sunday night, that would be Dec. 10th, 2017, I emailed the 5th draft of Standing At The Edge, The Last Brigade Book 3, to my editor at Dingbat Publishing, J. Gunnar Grey. After the first draft I was lucky enough to get detailed feedback from four beta readers. Since then I’ve done a content edit, a timeline edit and two line by line edits. That’s about all I can do with it for now.

I trust Gunnar’s judgment implicitly and give her much of the credit for why The Last Brigade series has sold tens of thousands of copies. (Book 2 had over 2,000 pre-orders.) So sending it off has become very safe for me, which most writers will tell you is NOT how they feel about showing their work to others.

I’d already missed my self-imposed deadline, which put me back on all the other projects on my schedule. So as I wait to hear back from Gunnar, what now? What does an author do when they finish a book?

This writer immediately starts another one. I call this my secret project. In this case it’s a book from long ago that I quit working on after 27k words and which now sits at 36k. I realized that a big chunk of it needed a severe edit. It’s almost all exposition and description but the problem is…it’s damned good exposition and description. I’d forgotten how far I was along the road of that style of writing. The problem is that my style now is vastly different from what it was then.

But a major plot hole was fixed by a chance meeting with fellow writer Susan McKenzie, who also happens to be a nuclear engineer. Once I told her the plot she described a whole new motivator for my bad guys and it fit perfectly! So that’s what I’m doing today.

As those who know me are aware, I NEVER work on one project by itself. I can do it in short bursts to meet a deadline, but not for too long. So I’m learning to use Scrivener to outline book 4 of the Last Brigade, tentatively titled Standing By The Abyss.

I’m also prepping to do a looonnngggg deep dive into the WW2 book in 2018, because by contract it must be finished by Dec. 31, 2018.

In the meantime I’m waiting with bated breath to hear back from Gunnar. Tick, tick, tick…

 

Editing decisions, they all count

I’m in the middle of editing Standing At The Edge, The Last Brigade Book 3, and I realized how many thousands of little decisions go into the making of just one book. Let me give you a few examples.

First is the timeline. I’m a pantser, which means I write by the seat of my pants, making it up as I go. That’s not to say I haven’t outlined things in my head, only that I haven’t written them down and don’t follow a set script when I write. And here’s a confession for you: I wish that I could write that way. It would make the editing so much easier. But I can’t. I’ve tried and failed. I’m going to try again with book 4. I’ll let you know how that goes.

Anyway, the timeline is tricky. This book jumps to different locales and as the author I want to stay with characters long enough for the reader to connect with them. But what if others things are happening at the same time? Do I adhere to a strict chronological timeline at the expense of following a subplot until it reaches a logical breakpoint, and then go back in time when I switch to another subplot? It’s not as easy as it sounds. Some people prefer it one way, some the other.

You also have to make sure that all of the facts and revelations line up with one another. For example, does an action early in the book have repercussions later? Does someone make a reference that hasn’t happened yet? You’ve got to think about all of this.

Then comes the content edit. Anything that doesn’t advance the narrative has to go. In Standing At The Edge I’ve already moved two plot lines to book 4, which is awesome because I haven’t even started writing that book and it’s already close to 20k words.

But the hardest part for me is the line edit. I read every single word in the book at least three times. I agonize over every visual, every description, every phrase. I speak every word of dialogue out loud to ensure that it sounds natural for that character. It’s a long, hard and grinding process.

And the whole time I’m doing it the next book on my schedule is running through my mind like a movie in the background. It’s  distracting!

But I’m lucky. I have a publisher who happens to be the editor’s equivalent of Lebron James. I don’t have to make my book perfect because, after putting three of my books on the market, I know she will put on that final polish that makes it special.

If you self publish I strongly suggest that you interview editors until you find one that works for you, then pay them whatever they charge to make your books awesome.

 

 

 

#13 out again, and #28 done

Tail Gunner Joe is back out again, so that’s #13. And I added #28, which is a flash fiction piece I wrote a while back titled It’s a Job, which is now edited, re-written, formatted and out for submission for the first time.

Labor Day is for doing labor, right?

 

Check off #12 Again

Taking the suggestions of 4 beta readers I re-wrote and edited LifeEnders again, and now I’ve got a problem. It’s the best short story I’ve ever written.

The problem? What now? This story is great…I mean, it really turned out well. I can’t believe that I wrote it. How do I top it?

All that’s left now if formatting and then it’s off to one of the best SF markets out there.

Wish me luck.

 

Check off #12

If you look at the list I posted the other day, I checked off item #12, rewriting LifeEnders, Inc. Done, and I’m very happy with how it turned out. Now I’m waiting on beta readers to volunteer and give me some feedback.

I’ve also made good progress on #10, writing a book proposal for my WW2 book, non-fiction.

And just so certain people don’t get mad, I made good progress on The Last Brigade, Book 3, so far untitled.

Go me!

 

TWO MOONS WANING is out!

Book #1 in Sharp Steel and High Adventure is out, and I couldn’t be prouder! It turned out better than even I hoped it would!

Buy it here for a measly .99 cents, or read for free with Kindle Unlimited.

https://www.amazon.com/Moons-Waning-Sharp-Steel-Adventure-ebook/dp/B07543MQ63/ref=pd_rhf_dp_p_img_1?_encoding=UTF8&psc=1&refRID=SGS1BQFXGR37VBA1N0F1

To whet your appetite, here’s the first paragraph:

The shouts of battle faded as the men who made them cried and died. Echoes of steel on steel disappeared into the murky depths of the deep valley, below steep slopes, and the carnage of war lay scattered across snow-clad fields. The copper scent of blood tainted the wind. Here and there frozen hands reached skyward, as if in supplication to their gods.

My homage to Robert E. Howard, Fritz Leiber and Karl Edward Wagner could not have been better!

 

A writer’s schedule

People ask me what a typical day looks like and the real answer is, the hell if I know. My day’s are so atypical that no two look alike. I wish they did.

So instead I thought I’d make a list of all the things on my schedule that I’d like to accomplish before the end of the year. I’m doing this as much for me, as to answer the question of my usual day’s activities. What am I supposed to do before January 1? This doesn’t include my daily responsibilities of keeping the house clean, the yard cut, playing with the puppies and making the meals.

  1. Decide which cons I’d like to attend next year and see if they would like to have me.
  2. Finish writing the fourth novella in my new series Sharp Steel and High Adventure. The story is titled The Demon In the Jewel.
  3. Finish the cover for A Night at the Quay if Shannon O. can’t. This is a very short term thing, but still. If circumstances allow her to finish, prepare to be wowed.
  4. Finish cover for The Demon in the Jewel.
  5. Find new talent to mentor in business. Some of you might not know it, but I’m a business consultant and mentor on top of everything else. I have recently found an impressive young man to mentor and it rekindled the fire to do it again. If you know of anyone who might like to become a successful business owner, send them my way. But be warned: they’ve got to be serious, I don’t have time to waste trying to motivate those who aren’t ready to do what is necessary to succeed.
  6. Attend DragonCon and Imaginarium as a panelist.
  7. Finish book 3 of The Last Brigade.
  8. Finish book 4 of The Last Brigade.
  9. Finish prequel to The Last Brigade titled Not Enough Bullets.
  10. Write book proposal for Killing Hitler’s Reich: The Battle For Austria, 1945
  11. Finish re-writing and editing two short stories written with Tom Russell, then submit.
  12. Finish editing and re-writing my short story LifeEnders, then submit to markets.
  13. Continue submitting short story Tail Gunner Joe to markets.
  14. Re-write short story Winter Storm.
  15. Outline and prepare for writing partially written novel currently titled The Time of Your Life, which will likely be re-titled something like The Prison of Time.
  16. Decide whether to pursue partly written novel currently titled Suntans Within Suntans.
  17. Begin outline for novel idea The Halls of Heaven.
  18. Begin outline for two full length novels in Sharp Steel and High Adventure series, a prequel and a sequel to the novellas.
  19. Learn how the f*** to use Scrivener.
  20. Record audiobook of me reading The Last Attack. Use the result of this to determine whether I can do justice to the Brigade or Sharp Steel books.
  21. Get a recording of Standing The Final Watch on the market, regardless of who is reading it.
  22. Update Zero to Hero.
  23. Outline and begin writing We Are Rome.
  24. After #23, write book proposal for same.
  25. Outline unnamed alternate history novel about the War for Southern Independence.
  26. Outline prequel for The Last Brigade. The one where the world ends.
  27. Sleep. This is optional.
 

Cover reveal for THE QUEEN OF DEATH AND DARKNESS

Next week will see the launch of my first fantasy book and first in my new series, Sharp Steel and High Adventure. The first entry is titled Two Moons Waning, and is a rousing tale inspired by Robert E. Howard and Fritz Leiber, but with my own twisted twists. If you don’t have at least as much fun reading it as I had writing it, then I’ll be shocked!

Shortly thereafter we’ll launch the second book in the series, titled The Queen of Death and Darkness. This was the title of my very first novel, written in the mid 1980’s on a succession of typewriters. (Yes…typewriters.) Parts of this story are lifted wholesale from that unpublished work because I was so impressed with them I couldn’t believe that I wrote them! But the rest is all brand new and contains some of my best work. I’m inordinately proud of it, and don’t care that I just used an adverb.

So now, without further ado, let me reveal the cover for this second entry. I have to tell you that I’m stoked at how it turned out.

 

 

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